Episode 72, June 20, 2017
Joanne’s written for the hit TV shows “This Hour has Twenty Two Minutes” and the “Baroness Von Sketch Show.”
Joanne has performed stand-up comedy across the country, she’s also done storytelling at the Stratford Festival’s “Late Night with Lucy Peacock cabarets,” and improvisation for four seasons of “Sin City,” Toronto’s popular live, improvised soap opera.
Plus she’s had a hit Fringe Festival show and is about to debut her new show “She Grew Funny” at the Toronto Fringe.
We talk about parenthood and the impact having a daughter had on her career. Prior to writing her latest show Joanne took a course to help with her writing, something she never imaged herself doing at this point in her career, but as you’ll hear it really helped kick start the process that led to her second Fringe Festival show.
Joanne’s Show “She Grew Funny“.
The crowd funding site.
Joanne O’Sullivan on Twitter.
Tracey Erin Smith Soul O Theatre.
Albert Howell on Twitter.
Episode 66 - Feb. 17, 2017
Stephanie Rothenberg is currently in the ensemble on Broadway in “Sunset Boulevard” with Glenn Close.
Prior to appearing in “Sunset Boulevard,” Rothenberg was a part of the original Broadway ensemble of “How to Succeed in Business Without Really Trying” starring Daniel Radcliffe and understudied the role of Rosemary, performing it many times opposite Radcliffe. She then assumed the role full time when Nick Jonas replaced Daniel.
Between Broadway appearances Stephanie starred as Maria in “The Sound of Music” at the Stratford Festival, she appeared in Aziz Ansari’s popular Netflix show “Master of None” and acted in an award winning short film that might be on its way to an Oscar nod in 2018.
I spoke with Stephanie between performances in New York, our conversation, which covers the highs and lows of life onstage, will inspire anyone who has had a bad audition, or a bunch of call-backs (but didn’t get the job) to work smarter and harder.
Stephanie’s previous podcast with me
Stephanie Rothenberg’s website
Follow Stephanie on Twitter
Follow Stephanie on Instagram
Sunset Boulevard The Musical
Episode 71, May 22, 2017
Gil Garratt is the artistic director of the Blyth Festival.
In the podcast we discuss the first time Garratt auditioned for the Blyth Festival. The director Paul Thompson invited Garratt to meet a a coffee shop, but the audition took place at a surprising location miles away. It was an audition unlike any other, one that Garratt will never forget.
We also delve into Garrat’s development work, examining the process behind that brought Mark Crawford’s comedy “The Birds and The Bees” to the stage.
In our conversation Garratt shares his progressive thoughts on the Canadian dramaturgical and development process, adding that working on comedies can be the most divisive of all genres. “I have witnessed, in the rehearsal of comedy, more relationships destroyed, friendships obliterated over the course of the comedy, than I have working in tragedy.
Since debuting at The Blyth Festival “The Birds and the Bees” has gone on to be performed at several theatres across Canada.
Naturally we look at the upcoming season at the Blyth Festival, with detailed descriptions on the background of each production.
Garratt graduated from the National Theatre School’s Playwriting Program and holds an Honours BA from the University of Waterloo, and an MA from the University of Guelph.
The Blyth Festival
“The Birds and the Bees” at Victoria Plahouse Petrolia.
New York Times – The Pigeon King and the Ponzi Scheme That Shook Canada