Murray is best known for his work as bassist in the Canadian bands Moxy Früvous and Great Big Sea. In 2014, he directed the Independent Film, “The Cocksure Lads Movie” which is now being developed into a musical “Chelsea Sunrise” with the Canadian Music Theatre Project at Sheridan College.
You’ll hear how he wrote the songs for the play and why he never received the investment he was offered when he appeared on the TV show “Dragon’s Den.”
Murray’s Website: http://www.murrayfoster.ca/
Chelsea Sunrise at the Canadian Music Theatre Project at Sheridan College.
Murray on Twitter
Murray on Facebook
“The Secret Life of The American Musical” on Amazon.
Joanne’s written for the hit TV shows “This Hour has Twenty Two Minutes” and the “Baroness Von Sketch Show.”
Joanne has performed stand-up comedy across the country, she’s also done storytelling at the Stratford Festival’s “Late Night with Lucy Peacock cabarets,” and improvisation for four seasons of “Sin City,” Toronto’s popular live, improvised soap opera.
Plus she’s had a hit Fringe Festival show and is about to debut her new show “She Grew Funny” at the Toronto Fringe.
We talk about parenthood and the impact having a daughter had on her career. Prior to writing her latest show Joanne took a course to help with her writing, something she never imaged herself doing at this point in her career, but as you’ll hear it really helped kick start the process that led to her second Fringe Festival show.
Joanne’s Show “She Grew Funny“.
The crowd funding site.
Joanne O’Sullivan on Twitter.
Tracey Erin Smith Soul O Theatre.
Albert Howell on Twitter.
Gil Garratt is the artistic director of the Blyth Festival.
In the podcast we discuss the first time Garratt auditioned for the Blyth Festival. The director Paul Thompson invited Garratt to meet a a coffee shop, but the audition took place at a surprising location miles away. It was an audition unlike any other, one that Garratt will never forget.
In our conversation Garratt shares his progressive thoughts on the Canadian dramaturgical and development process, adding that working on comedies can be the most divisive of all genres. “I have witnessed, in the rehearsal of comedy, more relationships destroyed, friendships obliterated over the course of the comedy, than I have working in tragedy.
We also delve into Garrat’s development work, examining the process behind brining Mark Crawford’s hit comedy “The Birds and The Bees” to the stage.
Since debuting at The Blyth Festival “The Birds and the Bees” has gone on to be performed at several theatres across Canada.
Naturally we look at the upcoming season at the Blyth Festival, with detailed descriptions on the background of each production.
Garratt graduated from the National Theatre School’s Playwriting Program and holds an Honours BA from the University of Waterloo, and an MA from the University of Guelph.
The Blyth Festival
“The Birds and the Bees” at Victoria Plahouse Petrolia.
New York Times – The Pigeon King and the Ponzi Scheme That Shook Canada